Macbook retina display producer

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Nov 6, AM in response to r. You posted a serial number in tour response. Persomal email, phone number, unit serial number Nov 6, PM in response to steve In response to steve Thank you for your concern. It's not a serial number. You can google this number to get more detail specification of the panel. Nov 6, PM. I pasted the above line into terminal.

It installed something then gave me the answer. What did it install? Nov 19, PM. I tried various suggestions on my MBPR 13 and nothing remotely similar appears. Nov 20, PM. It installed Xcode developer tools, something that doesn't ship with OS X normally.

It's directly from Apple, no worries! More Less. Community Get Support. Sign in Sign in Sign in corporate. Browse Search. Ask a question. Reply I have this question too I have this question too Me too Me too. View answer in context. All replies Drop Down menu. Loading page content. Reply Helpful 2 Thread reply - more options Link to this Post. Reply Helpful Thread reply - more options Link to this Post. User profile for user: Bimmer 7 Series Bimmer 7 Series.

User profile for user: pipowen pipowen. This article is about the HD screens of Apple products. For the heads-up-display technology, see Virtual retinal display. Brand name for high resolution displays featured in many products from Apple Inc. Part of a Retina display on an iPhone 4. The pixels are not visible at normal viewing distance, creating an impression of sharp print-like text. Part of a non-Retina display on an iPhone 3GS. The pixels are visible at normal viewing distance. June 7, Retrieved June 4, Trademark Applications and Registrations Retrieval.

Retrieved June 19, Claims priority filing date with respect to prior application in Jamaica. Canadian Trade-marks Database. Also cites prior application in Jamaica. Retrieved Archived from the original on Retrieved 28 July Nielsen Norman Group. Daring Fireball. Retrieved June 21, Retrieved 22 March Wired magazine. April 4, Retrieved July 9, March 19, Retrieved March 20, PC World.

Retrieved 9 July Ars Technica. The Inquirer. Archived from the original on September 14, Retrieved 30 August Blog archived. Archived from the original on March 12, Coding Horror. Retrieved 18 September June 9, Retrieved June 10, June 21, July 26, Retrieved July 26, Retrieved June 15, Retrieved 9 October Soneira used the 0. A better number for a typical person is more like 1 arcmin resolution, not 0. The Centre for Vision in the Developing World.

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A counterbalancing arm allows for 30 degrees of tilt as well as mm of height adjustment — and makes the display feel weightless as you adjust it. VESA mount adapter option. For custom setups, the VESA mount adapter supports landscape and portrait orientation.

Magic accessories are wireless, rechargeable, precise, comfortable — and now come in a silver-and-black option to complement the design of Studio Display and complete your studio setup. Our hardware and software are designed together. Open this page using Safari on your iPhone or iPad. View Studio Display in AR. View Studio Display and magic accessories in AR. It uses percent recycled rare earth elements in all magnets.

The stand is made with percent recycled aluminum. And all virgin wood fiber in its packaging comes from responsibly managed forests. Learn more about Apple and the environment. Learn more. And pay over time, interest-free when you choose to check out with Apple Card Monthly Installments.

Studio Display. Buy Studio Display. See what you can do. Sensational camera and audio. So they hear you. And only you. Six speakers. Cinematic sound. Stream Foundation on the Apple TV app. And everywhere. Take charge of your studio. Mac Studio and Studio Display. Dream team. Pairs with your Mac. Learn more about Mac Studio. Work your magic.

Touch ID. In a lit room, the black level was capped to 0. However when testing in a dark room, which is how we normally test, the black level halved to around 0. This could be consistently replicated by covering or uncovering the camera and sensors in the notch. I honestly have no idea why Apple would control the display in this way, it's a pretty minor change all things considered, so it must be beneficial to something, but we have no idea on that one.

There are so many zones here that it's unlikely you'll spot much blooming in practice, I found it negligible for SDR use even in tricky desktop apps with harsh edges between light and dark areas. The dimming algorithm is tweaked nicely to avoid this situation and there are simply more than enough zones to prevent lingering issues. This sort of attention to detail is what I'd love to see more in the standalone monitor space, along with higher zone counts, of course.

In the HDR mode, brightness is extremely impressive. There's no major difference between sustained and peak brightness, so there's no automatic brightness limiter that activates after a short period to dim the screen in intensely bright scenes. That's impressive, although it does come with a corresponding increase to power consumption, so running the display at over nits all the time isn't advisable on battery.

When displaying HDR content, the mini-LED backlight will, at times, fully switch off to display black, delivering an effectively infinite contrast ratio. That's the best case performance you'll see. In more tricky conditions, such as a checkerboard test or measuring light and dark areas close together, I measured a contrast ratio of slightly over 50, This is right where you'd want performance to be for HDR content, contrast ratios of 50, worst case and up to 1,, or greater in other situations.

Apple are meeting all the recommendations for performance that I've heard when speaking to HDR, calibration and mastering experts. This performance also destroys basically any other LCD based monitor I've looked at before. On the standalone monitor side, it's virtually unheard of right now to see LCD zone counts higher than a couple of thousand. This limits worse case contrast to around 12, in the case of the 2,zone Samsung Odyssey Neo G9 with VA technology, or just 4, in a checkerboard test.

Apple choosing to use x the zone count massively improves the achievable contrast ratio in tricky situations and I'd say this amount of zones - and the density of zones - is what is required as a minimum for the best HDR experience with an LCD panel. Even Apple's own ridiculously overpriced Pro Display XDR doesn't compare as it has a paltry zone backlight and it was criticized at launch for poor blooming compared to professional level HDR mastering displays.

When actually viewing HDR content, the level of blooming is pretty minimal, even in tricky conditions like viewing Christmas lights or starfields. However it's not completely free of blooming, and the halo-like glow effect can be visible in some conditions if you look for it.

Besides this one complaint though the HDR experience is excellent, especially for a laptop. While it's nice to see Apple upgrade the refresh rate to Hz compared to the 60Hz they were using previously, the display being used here doesn't have the appropriate level of response times to keep up with that Hz refresh rate. The panel is actually very, very slow, which is a disappointment.

I was hoping to provide a full breakdown of motion performance using the standard graphs we use for monitor reviews In a full black to full white transition, gamma corrected as per our current test methodology, the MacBook Pro's display is exceptionally slow, taking nearly ms to complete this rise. The real transition time is more like 35ms, so less than half that of the rise time, but far slower than most other LCDs out there. The best laptop grade OLED panels can perform these transitions in under 2ms with the same test conditions, making them an order of magnitude faster.

I tested a few more transitions of varying degrees and typically the MacBook Pro would fall between 20 and 40ms, though luckily there is no overshoot to speak of. When viewing UFO test results, you can see the product of these horrific response times: a substantial blur trail behind moving objects.

Even though the panel can feel somewhat smooth to use because it has a moderate refresh rate of Hz, the actual clarity in motion is terrible and this impacts the usefulness of the higher refresh rate. You'll see here that even though the MacBook Pro's display is twice as fast in refresh rate, the extremely slow response behavior limits motion clarity to more like a 60Hz monitor or worse.

The level of smearing is insane and I'm not sure how a modern LCD could end up this slow, Apple really should have experimented with some sort of overdrive. Now, all Apple fans are probably sitting here annoyed that I'm criticizing the display for motion performance because the MacBook Pro isn't a gaming laptop.

And they're right, it's not a gaming laptop. But motion performance is relevant beyond gaming, it impacts things as basic as scrolling through websites or even watching videos. Fast moving video content like sports is affected due to slow transition times, and scrolling through text can show really bad ghosting trails, especially with white text on a black background.

But really anything on this display that moves, especially stuff that moves fast, can quickly become a blur fest. It has perfect P3 color gamut coverage and outstanding factory calibration, with particular attention to detail paid to multiple color specifications for mastering. Apple provides many different profiles that are all above average to great in terms of accuracy, and this should provide peace of mind that if they are using this display in one of those color spaces, everything is looking correct as it should.

A mini-LED backlight zone count of 10, is the star of the show in this respect, significantly reducing blooming compared to other LCD-based HDR monitors, and providing exceptionally high brightness. The level of performance is good enough for both enthusiast level mastering and HDR playback, so the MacBook Pro is a great device for video editing on the go when you also factor in its overall performance.

A few nitpicks aside, the major downside to the display is motion performance. This display is exceptionally slow even for an LCD, despite packing a Hz refresh rate. This affects areas including web browsing and any work with text as you scroll through content, and blur trails can be visible across a wide range of use cases, not just gaming. It's not bad enough to negate the benefits you get elsewhere, but Apple needs to put a lot of work into optimizing how quickly their panels transition.

I also feel the lack of HDMI 2. Now comes the ultimate question: is this the best laptop display ever, as Apple claims it is? That will depend on your perspective. Evidently, if you're buying a high-performance laptop for gaming then no, but the MacBook Pro is clearly not suited nor aimed at gamers. But if we put that aside and ask about the best display for content creation and productivity, we think Apple has a solid claim to that throne.

The only real competition right now are OLED panels, which come with their own set of strengths and weaknesses. There are a few other mini-LED laptop options on the Windows side, like the screen you get in the Acer Predator Helios , but that display only has zones, not the 10, on offer here. The reasons to get an OLED display over this LCD would be in terms of its self-lit pure HDR experience with zero blooming, significantly faster response times for better motion clarity, and wider color gamut allowing for accurate work in the Adobe RGB color space as well as P3 and Rec.

However, the drawbacks are also significant, including a 60Hz refresh rate limitation with current 4K offerings, the risk of permanent burn in, and significantly lower brightness.

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Powered by Apple silicon. The studio-quality three-mic array helps you come through loud and clear on video calls and voice recordings. Four force-cancelling woofers produce bold, articulate bass and minimize distortion. And two high-performance tweeters deliver accurate mids and crisp highs. Spatial Audio immerses you in sound.

Three USB-C ports let you connect, power, and charge devices — from networking and external drives to your keyboard, mouse, or iPhone. The Thunderbolt port connects Studio Display to your Mac with a single cable. Studio Display is the ultimate partner for the stunningly compact and astonishingly powerful Mac Studio.

Studio Display comes with a choice of two stands or a mount adapter, so you can find the right angle for your needs. Tilt-adjustable stand. A counterbalancing arm allows for 30 degrees of tilt as well as mm of height adjustment — and makes the display feel weightless as you adjust it.

VESA mount adapter option. For custom setups, the VESA mount adapter supports landscape and portrait orientation. Magic accessories are wireless, rechargeable, precise, comfortable — and now come in a silver-and-black option to complement the design of Studio Display and complete your studio setup.

Our hardware and software are designed together. Open this page using Safari on your iPhone or iPad. View Studio Display in AR. View Studio Display and magic accessories in AR. It uses percent recycled rare earth elements in all magnets. The stand is made with percent recycled aluminum. And all virgin wood fiber in its packaging comes from responsibly managed forests. Learn more about Apple and the environment.

Learn more. And pay over time, interest-free when you choose to check out with Apple Card Monthly Installments. Studio Display. Buy Studio Display. See what you can do. Sensational camera and audio. So they hear you. And only you. Six speakers. I don't want to dwell on the notch too much as in practice using the laptop it's not that big of a deal. Let's take a look at how the Liquid Retina XDR display actually performs and I'm going to start here with some color performance results because I think these are most relevant to a creator-focused display like this.

I'll get to talking about response performance later. Tested at native resolution, highest refresh rate. That's an excellent result for any creator looking to produce content in that gamut. Unfortunately the performance outside these gamuts is not great, specifically what's missing is Adobe RGB coverage which is relevant for photography work.

Where the MacBook Pro's display ends up in terms of color gamut is typical for a modern "creator" laptop, the majority of top-end laptop displays have really good coverage of sRGB and P3. That's not to say the MacBook Pro's gamut is bad or anything, it's just not as wide or as versatile as I've seen. Where the display is extremely impressive is in its color calibration, and this is helped significantly by macOS doing a much better job of color management than Windows.

The various color profiles included by default work across far more apps in macOS than they would on Windows and this is one area where Windows needs a bit of an overhaul. If we look at the options provided in the MacBook Pro's display settings, you'll find quite a few options including Apple Display and Apple XDR Display presets, along with a decent array of creator focused modes for gamuts like BT. Apple also offers True Tone and Night Shift functionality, which some people might find useful but ultimately hurt color accuracy.

I've disabled True Tone for testing. When looking at the default Apple Display profile, performance is pretty good by default. When displaying sRGB content in this mode, it's quite likely color management will activate in the app you're using to display the content correctly and accurately, instead of oversaturating it up to the full P3 gamut of the screen. When looking at saturation sweeps as an example, we find excellent deltaE performance, and good results in ColorChecker as well, especially around skin tones which are crucial to get right.

Greyscale performance was also solid, my laptop didn't quite hit a K color temperature but came close, and sRGB gamma was being displayed as flat 2. Based on this you should probably just leave your MacBook in the Apple Display mode for everyday use as it's accurate enough for sRGB content and will also let you benefit from wide gamuts where needed.

If you want even better color accuracy, Apple's included profiles might be for you. For example, the built-in sRGB mode is even better at displaying sRGB content, with accuracy equivalent to performing a full calibration yourself. I suspect the reason why this mode is better than the default mode is that it's specifically tailored to showing sRGB content, rather than the more general default mode that is designed for use in multiple scenarios.

Color management is hard and creating specific modes for each gamut is generally the best approach, so it's great Apple has done this for you. I tried a couple of the other modes as well, here is the BT. Accuracy is great, not quite as good as the sRGB mode but still excellent for content creation with confidence that it's correct. Apple also does a decent job with the DCI-P3 mode if you need to create video content in that color space, nailing the green-tinted white point and delivering decent gamma except for one flaw in the low gamma range.

There is a downside to these modes, and that's locked brightness. However that limits the usefulness of these modes for viewing content, where the mastering brightness level is less relevant and your ambient conditions are more important. I'd like to see a brightness override toggle, so that each of these modes is still useful for mastering, but can also deliver the best accuracy for watching other content. That would improve the versatility of the display and give you the ability to fine tune accuracy beyond the already very good default mode.

Brightness and Contrast In the regular Apple Display mode for viewing SDR content, I measured peak brightness at around nits, with a variable black level. Bizarrely, the MacBook Pro appears to change its black level limit in the SDR mode depending on the ambient light conditions, even with True Tone disabled. In a lit room, the black level was capped to 0. However when testing in a dark room, which is how we normally test, the black level halved to around 0.

This could be consistently replicated by covering or uncovering the camera and sensors in the notch. I honestly have no idea why Apple would control the display in this way, it's a pretty minor change all things considered, so it must be beneficial to something, but we have no idea on that one.

There are so many zones here that it's unlikely you'll spot much blooming in practice, I found it negligible for SDR use even in tricky desktop apps with harsh edges between light and dark areas. The dimming algorithm is tweaked nicely to avoid this situation and there are simply more than enough zones to prevent lingering issues. This sort of attention to detail is what I'd love to see more in the standalone monitor space, along with higher zone counts, of course.

In the HDR mode, brightness is extremely impressive. There's no major difference between sustained and peak brightness, so there's no automatic brightness limiter that activates after a short period to dim the screen in intensely bright scenes. That's impressive, although it does come with a corresponding increase to power consumption, so running the display at over nits all the time isn't advisable on battery.

When displaying HDR content, the mini-LED backlight will, at times, fully switch off to display black, delivering an effectively infinite contrast ratio. That's the best case performance you'll see. In more tricky conditions, such as a checkerboard test or measuring light and dark areas close together, I measured a contrast ratio of slightly over 50, This is right where you'd want performance to be for HDR content, contrast ratios of 50, worst case and up to 1,, or greater in other situations.

Apple are meeting all the recommendations for performance that I've heard when speaking to HDR, calibration and mastering experts. This performance also destroys basically any other LCD based monitor I've looked at before. On the standalone monitor side, it's virtually unheard of right now to see LCD zone counts higher than a couple of thousand. This limits worse case contrast to around 12, in the case of the 2,zone Samsung Odyssey Neo G9 with VA technology, or just 4, in a checkerboard test.

Apple choosing to use x the zone count massively improves the achievable contrast ratio in tricky situations and I'd say this amount of zones - and the density of zones - is what is required as a minimum for the best HDR experience with an LCD panel. Even Apple's own ridiculously overpriced Pro Display XDR doesn't compare as it has a paltry zone backlight and it was criticized at launch for poor blooming compared to professional level HDR mastering displays. When actually viewing HDR content, the level of blooming is pretty minimal, even in tricky conditions like viewing Christmas lights or starfields.

However it's not completely free of blooming, and the halo-like glow effect can be visible in some conditions if you look for it. Besides this one complaint though the HDR experience is excellent, especially for a laptop.

While it's nice to see Apple upgrade the refresh rate to Hz compared to the 60Hz they were using previously, the display being used here doesn't have the appropriate level of response times to keep up with that Hz refresh rate. The panel is actually very, very slow, which is a disappointment.